You’d never guess Bailey McCarthy had an urban upbringing by the look of her Bellville, Texas, country home. Filled to the brim with buffalo checks, antique quilts, and fair memorabilia, the century-old Victorian farmhouse is an homage to iconic country decor. “I’ve lived in a lot of cities, but I’ve always been more of a country mouse,” she says. The interior designer and owner of Biscuit (a bedding and housewares brand), attributes her soft spot for pastoral life to childhood summers spent at her grandfather’s ranch in Brookshire, Texas.
She wanted her own children to have a similar experience, so when she and husband Pete happened upon a charming farmhouse on 85 acres, they snatched it up and turned it into a welcoming and relaxing retreat for her family and friends. “We want our house to be comfortable and inviting, without being fancy or fussy,” says Bailey. “This is where we come to unwind, reconnect, and build memories as a family.”
Here’s how she embraced her down home roots to give this farmhouse a fresh—and timeless—look.
1
Kitchen
Roger Davies for Country Living
The previous owners had restored the 105-year-old home, so the kitchen didn’t need a total gut job. What it did need were some simple but substantial cosmetic upgrades—starting with paint. When the McCarthys moved in, the walls were beige and the cabinets, which vary in height, were white. “Painting everything black seemed like a good way to make the cabinets blend in with the wall,” says Bailey. Next, she swapped out the granite countertops for butcher-block ones. “We wanted the feeling of an old farmhouse that would age nicely with us,” she says. “Butcher block is practical, casual, and the opposite of trendy.” Get the Look: Cabinetry Paint Color: Pitch Black by Farrow & Ball
The couple finished off their mini-makeover by bringing in a few country kitchen staples: a farm table that doubles as an island; a brass light fixture that will develop patina over time; black-and-white floral curtains; and open shelves to hold the coffee bar and display her collection of antique pewter and a favorite needlepoint.
Inspired by the lush landscape just outside the enormous windows (which were salvaged from an old train depot!), Bailey filled the dining room with rustic wood elements and pops of green. The previous owners left behind the giant antler chandelier, which suited Bailey just fine. From there, she selected an antique round table that she had stripped down to the raw wood for a more worn and weathered look. Beech wishbone chairs, which Bailey had lacquered in an apple green shade, make for a lively juxtaposition with the table. They also pop against the large antique hutch that stores her collection of copper Moscow mule mugs and green and white china. A pale pink Oriental rug with subtle hints of sky blue and chartreuse rounds out the mix.
Bailey designed this space to be roomy enough to host a crowd but cozy enough for family game nights around the fire. “I wanted a few big pieces of indestructible furniture that people could pile on, plus some modern elements so it didn’t feel too ‘themey,’ ” says Bailey. Case in point: Bailey paired the room’s showstopping farmhouse icons—a buffalo check-covered sofa and wildflower chintz armchair—with a streamlined steel-framed coffee table and graphic longhorn watercolor painting (by Houston artist Mary H. Case) to keep the mix from going too traditional.
Bright Idea: When weekend guests ask, “What can I bring?” Bailey suggests a beloved paperback book with an inscription to add to their library.
Bailey designed the bedroom, which was originally the house’s parlor, around her company’s Wimberley pattern (named after the small Texas town known for its beautiful wildflowers). She upholstered the white-painted bed in a graphic blue-and-white-check fabric to complement the whimsical sheets. Wallpaper with a wood grain pattern, a fresh way to achieve a similar effect as unpainted, wood-paneled walls, creates a warm backdrop for the crisp bed. Gauzy eyelet curtains finish the space with a dose of pretty. “They add a country touch without going full-on ‘granny,’ ” says Bailey.
Bright Idea: A sconce provides enough light for Bailey’s late-night reading habit without disturbing her husband.
A bold patriotic quilts stands in as graphic artwork in the bedroom. “As someone who’s dabbled a bit in sewing, I truly appreciate the artistry and craftsmanship of a handmade quilt,” says Bailey.
Talk about a cozy retreat. To play up the guest room’s snug dimensions, Bailey covered the walls and trim with rich green paint. A four-poster spindle bed, outfitted with a striped wool blanket and wood-grain patterned bedding, also from Biscuit, creates a comfy room-within-a-room feel, while botanical curtains add softness and privacy. To give the room a collected-over-time look, Bailey brought in a pair of vintage carved wooden lamps and three sepia-toned landscape photographs with a decidedly Western style.
Bailey embraced her love of pink and green full tilt by painting the walls of her daughter Grace’s room a soft shade of the former and choosing a traditional country bed frame in a leafy shade of the latter. An antique quilt looks surprisingly modern when paired with graphic heart-print bedding. Vintage finds, like the Murano glass tulip sconces and the fair banners hanging above the bed (a Round Top antiques fair find, and Bailey’s first purchase for the farmhouse) infuse the space with personality.
Out back, Bailey worked with Lilliput Play Homes to build a playhouse for her daughter, Grace, that is based on Gruene Hall, the oldest operating dance hall in the state.